let’s call it love
So last week we went to Chicago’s Riviera Theatre to see Sleater Kinney. They’re touring in support of their new album, The Woods. There was a minty little copy of The Woods waiting for me when we returned from Vactioning in pdx, olywa and vancouver, so it’s been on rotation in the car. Until the show, I was feeling a little undecided about their latest release. It’s definitely a departure from previous endeavors. No surprise there; everything they’ve said publicly about their new album says that they wanted, needed to go a new route with this album, their 7th.
And it has been said many times that this record is more popular with male audiences than was true previously. Does this somehow mean that they’re sell-outs? No longer feminists? S-K has never actually claimed to be feminist specifically, though they’ve definitely been considered “trail-blazers” for women in rock. They only claim to be themselves. And as evolving people, one must expect and embrace change. Who wants 10 copies of Dig Me Out anyways? Does S-K have to be explicitly feminist to be feminist? I don’t think so. Their unwillingness to compromise their own ideals, whatever they be; their commitment to quality music, whatever it sounds like; their joy in their work; that’s what makes them a feminist band to me.
They put on a hard-working show. The new music makes total sense, having seen it performed; felt- heard it crash over all of us in waves. Janet Weiss is fucking amazing. Her precise beats drove the new album relentlessly into the crowd, accompanying Carrie + Corin’s threshing guitars. The audience (pretty equally male/female, by the way..lots of punkers, queers, young people and all) loved it: bringing the band back for 2 encores. And they seemed to enjoy putting on the show for an appreciative crowd; especially Carrie Brownstein, who so obviously loves being a rocker, and oozes this joy out of every pore and lick, leaping and bounding and grinning into the mike. Her chemistry onstage with Corin Tucker, whose voice burns right through your heart, is still palpable; the three of them together are magical.
It was a good mix of old songs sprinkled through the new album. They played my son’s favorite: “little babies”, and my favorites: “end of you”, “words + guitar”, and “light rail coyote”. We had front row, balcony seats; an excellent view, without the crush of the floor. The Riviera is a beautiful old theatre, a lot nicer than The Metro, which is a bit grimier. And the sound seemed much better at the Riviera, too, but that may have been due to my location.
So seeing the show, and spending more time reading the words to the songs has solidified my appreciation. It’s the same kick-ass S-K I’ve loved since hearing them on my friend’s stereo..still political, if you know how to read (some criticism has claimed they lost their political bite). It’s all there: fuller, gnashier, louder, harder, and just as hott as always.
Maybe their sound is more masculine, or whatever..ha ha. I don’t know. All I know is that when I listen, my response is, simplistically: “hell yeah, they rock!“




